Welcome back to the I Am Anime website
Continuing from the 886th episode, it’s “OP”.
c-015 Yasukeina peers at Higa, wet in the rain. The cuts from here have included elements of this work in a row.
c-016 Kiyan Takeshi leaps in at the turn of the previous cut. Is the Rainbow in True Round influenced by Dezaki (Tsuru)’s “The Houseless Child”?
c-017 Yasukeina, the finger heart “Dedendenden♪”. When you use the inside out, you can turn the heart back into a larger frame, and then shoot an enlarged or reduced image of one drawing – adjusting the rhythm of the song, and this is also a dance choreography.
c-018 Along with the Conte, I gave detailed instructions on how to move my fingers with the effect of “remaining” effect. Also choreographic cut.
c-019 Kiyan, Teru and Higa eat shaved ice. Is it too short to see Higa? However, this was so good when I put it to the music, so sorry.
The above c-015-019 are original illustrations and supervised by Shinoerika, written by Shiozawa (Tomoe) and others. Shino-san is a great match for Oki Tsura, and Higa-san, who viewers point out that she is “cute,” has a high rate of supervising Shino-san. In the beginning of #02 and part C and the classroom scene at #05, itagaki’s journey is almost not covered in Shinohira, and even without having to place too close meetings or orders, things that are usually unmistakable come out!
c-020 Three girls’ skirts to feet. Co-paste multiplication gives priority to cost-effectiveness. Of course, this was also a choreography, with the original drawing being Ichikawa Makoto without being supervised. Ichikawa has a mysterious drawing ability, and his characters don’t look very similar, but his body drawings, his hands and fingers are skilled, and he even calmly turns my rough drawings into originals, which is a challenge for me personally. I’m helping, and in the main story of Oki Tsura, I’m “Ichikawa-san if I’m in trouble.”
c-021 There are also three girls, and this one is also a dance choreography and is based on original Ichikawa art, but for the reasons mentioned above, the characters have been revised by Shino Saku.
c-022 Everyone at the Eisa Festival. Each of these is also choreography with a series of camera work. Later, this “Chondara Kiyanbu” said during a committee check, “Even though the opening is a lie, if you don’t put on makeup, you won’t know that Kiyanbu is a sis,” but “If you lie like that, I’m sorry for the original story and Okinawa! This is Kiyan’s other face!’ and replies, “The current situation is.
And sorry for the short one again. Once the final episode is delivered, I’ll calm down a little more and write about the production story (sweat). See you next week…
